Color that goes on after a sweatshirt is sewn behaves differently forever. Josh Sirlin on garment dyeing and the Black Bear Brand 30oz terry hoody, crew, pants and shorts.
Read MoreFlannel is a finish, and the word is Welsh. Josh Sirlin on how flannel is actually made and the Black Bear Brand flannels woven and sewn in Japan.
Read MoreThe Aran sweater is younger than the legend around it, and the true story is better. Josh Sirlin on cables, ganseys, and the Black Bear Brand merino fisherman sweater.
Read MoreLess rain than New York, spread over twice as many days. Josh Sirlin on what Seattle weather does to a wardrobe, and why our coats are made here.
Read MoreA plain Harris Tweed is never one color. Josh Sirlin on fibre dyeing, blending to a recipe, and why the cloth changes as the light moves.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreA size medium takes four long curl sheepskins and one full day of one craftsman's hands. Josh Sirlin on shearling, on horsehide, and on the Northern Dream.
Read MoreSomebody named it in 2017 and the whole world went along with it. Josh Sirlin on how outdoor clothing became city clothing, and how to do it with cloth you actually want to touch.
Read MoreMoths do not eat clean wool. They cannot. Josh Sirlin on what actually eats your sweaters, what cedar does and does not do, and how to put a wardrobe away properly.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
Read MoreA three quarter sleeve stops at the wrong place on a man's arm. Josh Sirlin on the sleeve length he designed instead, and why an inch decides everything.
Read MoreThe chest pocket was not part of the original t-shirt, and the reason it arrived is better than you would guess. Josh Sirlin on the pocket tee, and on the one we make.
Read MoreParis 1960, the South of France in the seventies, an album cover in 1980. Josh Sirlin on how women made the white t-shirt the most powerful thing in a wardrobe, and on the WOMAN Ultimate Soft Tee.
Read MoreIt cost 24 cents in the Sears catalog and it took two films to make it famous. Josh Sirlin on how a plain white tee went from the bottom of a sea bag to the top of the world.
Read MoreThere is one morning every August when the air turns. Josh Sirlin on the jean jacket coming off the hook, the white tee under it, and the tweed waiting after October.
Read MoreA sixteenth century Japanese idea about age, and why the day you buy something is not the best it will ever look. Josh Sirlin on wabi-sabi, patina, and designing for the fifth year.
Read MoreWomen had better pockets than men for two hundred years, and then fashion took them away. Josh Sirlin on tie on pockets, the Old Bailey, and cutting a pocket that works.
Read MoreButtons crossed the Atlantic as ship ballast. Josh Sirlin on corozo, shell, brass and zippers, and why hardware is where most clothing quietly fails.
Read MoreIt started as underwear and became the most worn garment on earth. Josh Sirlin on the plain white t-shirt, and how to tell a great one from a cheap one.
Read MoreThe prize was never the finish. Josh Sirlin on purpose, the long chase behind Black Bear Brand, and why the pursuit is the thing that keeps you alive.
Read More