A plain Harris Tweed is never one color. Josh Sirlin on fibre dyeing, blending to a recipe, and why the cloth changes as the light moves.
Read MoreThe warmest cloth in the closet is named for an English market town. Josh Sirlin on fulling, napping, shearing, and why melton stops wind.
Read MoreA Dutch word, a naval cut, and wool milled until the wind gives up. Josh Sirlin on where the peacoat comes from and how ours is made in Japan.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreThe label tells you where a thing was assembled. It does not tell you who chose the mill. Josh Sirlin on the law behind the tag, and on choosing rooms instead of countries.
Read MoreWool does not itch because it is wool. It itches because of a number. Josh Sirlin on micron counts, the prickle threshold, and why the coarser fibers are not the lesser ones.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
Read MoreThe chest pocket was not part of the original t-shirt, and the reason it arrived is better than you would guess. Josh Sirlin on the pocket tee, and on the one we make.
Read MoreIt cost 24 cents in the Sears catalog and it took two films to make it famous. Josh Sirlin on how a plain white tee went from the bottom of a sea bag to the top of the world.
Read MoreIt was underwear, then it was a rowing uniform, then it was a shirt. Josh Sirlin on the Henley, the waffle knit, and why a garment dyed thermal is worth the extra step.
Read MoreThere is one morning every August when the air turns. Josh Sirlin on the jean jacket coming off the hook, the white tee under it, and the tweed waiting after October.
Read MoreThe sweatshirt began as a fix for an itchy football jersey in 1926. Josh Sirlin on terry, weight, that little V at the collar, and making one entirely in the United States.
Read MoreA sixteenth century Japanese idea about age, and why the day you buy something is not the best it will ever look. Josh Sirlin on wabi-sabi, patina, and designing for the fifth year.
Read MoreButtons crossed the Atlantic as ship ballast. Josh Sirlin on corozo, shell, brass and zippers, and why hardware is where most clothing quietly fails.
Read MoreFor two hundred years pink meant money and power, and men wore it without thinking twice. Josh Sirlin on how a color changed sides, and on making a rose you cannot get anywhere else.
Read MoreWeight is the number everyone quotes and almost nobody understands. Josh Sirlin on ounces, grams, and what a fabric weight can and cannot tell you.
Read MoreRise decides where your leg appears to start, and a tailor cannot fix it afterward. Josh Sirlin on the one measurement worth taking before you order anything.
Read MoreMost people put their jeans away in June. I do the opposite. The white core inside a rope dyed yarn, the old looms in Okayama, and what a hot road actually does to a pair of jeans.
Read MoreIt started as underwear and became the most worn garment on earth. Josh Sirlin on the plain white t-shirt, and how to tell a great one from a cheap one.
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