The Aran sweater is younger than the legend around it, and the true story is better. Josh Sirlin on cables, ganseys, and the Black Bear Brand merino fisherman sweater.
Read MoreWool works wet, holds a shape for decades, and gets better looking as it goes. Josh Sirlin on the fall jacket, on tweed, and on the three that get woven for us each year in Scotland.
Read MoreThe first Black Bear Brand pop-up in Japan opens in Ebisu on the second, third and fourth of October. Josh Sirlin on Tokyo, the collection, and the pieces coming with it.
Read MoreCupro is made from the fuzz left on a cotton seed. Josh Sirlin on the quietest luxury in a coat and why ours is made in Japan.
Read MoreA hundred year old stripe, read off an original coverall and woven again in Okayama. Josh Sirlin on the Black Bear Brand engineer stripe and the vintage engineer pant and coat.
Read MoreFive generations of tanners on the Chicago River, and a jacket cut in Seattle. Josh Sirlin on horsehide, the rough-out finish, and a very limited run of the westerns.
Read MoreLess rain than New York, spread over twice as many days. Josh Sirlin on what Seattle weather does to a wardrobe, and why our coats are made here.
Read MoreA one time run of the leather jackets, Josh Sirlin’s own favorites, already made and going up Friday at nine. These are preorder only, and the windows open three or four times a year.
Read MoreA plain Harris Tweed is never one color. Josh Sirlin on fibre dyeing, blending to a recipe, and why the cloth changes as the light moves.
Read MoreThe warmest cloth in the closet is named for an English market town. Josh Sirlin on fulling, napping, shearing, and why melton stops wind.
Read MoreA Dutch word, a naval cut, and wool milled until the wind gives up. Josh Sirlin on where the peacoat comes from and how ours is made in Japan.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreA size medium takes four long curl sheepskins and one full day of one craftsman's hands. Josh Sirlin on shearling, on horsehide, and on the Northern Dream.
Read MoreSomebody named it in 2017 and the whole world went along with it. Josh Sirlin on how outdoor clothing became city clothing, and how to do it with cloth you actually want to touch.
Read MoreThe label tells you where a thing was assembled. It does not tell you who chose the mill. Josh Sirlin on the law behind the tag, and on choosing rooms instead of countries.
Read MoreMoths do not eat clean wool. They cannot. Josh Sirlin on what actually eats your sweaters, what cedar does and does not do, and how to put a wardrobe away properly.
Read MoreWool does not itch because it is wool. It itches because of a number. Josh Sirlin on micron counts, the prickle threshold, and why the coarser fibers are not the lesser ones.
Read MoreThe wild west was loud, and the cloth that went through all of it was blue. Josh Sirlin on the jean jacket, the Cowboy Jeans, the people he rides with, and the looms in Okayama.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
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