Eight years under the same master, and we have never shared a language. Josh Sirlin on going back to Tokyo in October, and on what tattooing taught him about making things.
Read MoreA striped cloth that belonged to this company and to no one else, on a garment that is about a hundred and ten years old. Josh Sirlin on the archive, and on what is coming with TCB.
Read MoreFour days of chain stitching, white cowhide sleeves, melton wool, and eight months of production. Josh Sirlin on the ART Edition varsity jacket, on display in Tokyo on October 2.
Read MoreThe loom is pedalled like a bicycle, in the weaver's own house, on an island in the North Atlantic. Josh Sirlin on what hand woven actually means on a Harris Tweed.
Read MoreA vintage coat worn for a decade, refined until there was nothing left to argue with. Josh Sirlin on the peacoat, on the custom hunter green, and on September 22.
Read MoreThe name is not a boast. It is a count. Josh Sirlin on the ONE Jean Jacket, on warp density, and on the years spent looking for denim worth cutting.
Read MoreThree new Harris Tweeds are woven for Black Bear Brand in Scotland every year, and Josh Sirlin makes three jackets from them. Here are this fall's three, starting with the Midnight Glen Tartan.
Read MoreShuttle looms in Okayama, a family sewing room five generations deep, and an inseam that is long on purpose. Josh Sirlin on the Black Bear Brand jeans.
Read MoreOne thread, one needle, one hand turning a crank under the table. Josh Sirlin on the 1865 machine that still cannot be improved on, and on four days of stitching one jacket.
Read MoreRoughout Horween horsehide with the raw side out, no lining, and vintage snaps. Josh Sirlin on the commander jacket, on roughout leather, and on the friends who have put real miles on theirs.
Read MoreJosh Sirlin wore one vintage peacoat for more than ten years, then made the one he actually wanted. A first look at the Hunter Green, a custom color worked out with the mill, releasing September 22.
Read MoreWool works wet, holds a shape for decades, and gets better looking as it goes. Josh Sirlin on the fall jacket, on tweed, and on the three that get woven for us each year in Scotland.
Read MoreCupro is made from the fuzz left on a cotton seed. Josh Sirlin on the quietest luxury in a coat and why ours is made in Japan.
Read MoreLess rain than New York, spread over twice as many days. Josh Sirlin on what Seattle weather does to a wardrobe, and why our coats are made here.
Read MoreA one time run of the leather jackets, Josh Sirlin’s own favorites, already made and going up Friday at nine. These are preorder only, and the windows open three or four times a year.
Read MoreA plain Harris Tweed is never one color. Josh Sirlin on fibre dyeing, blending to a recipe, and why the cloth changes as the light moves.
Read MoreThe warmest cloth in the closet is named for an English market town. Josh Sirlin on fulling, napping, shearing, and why melton stops wind.
Read MoreA Dutch word, a naval cut, and wool milled until the wind gives up. Josh Sirlin on where the peacoat comes from and how ours is made in Japan.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
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