Yoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreA size medium takes four long curl sheepskins and one full day of one craftsman's hands. Josh Sirlin on shearling, on horsehide, and on the Northern Dream.
Read MoreSomebody named it in 2017 and the whole world went along with it. Josh Sirlin on how outdoor clothing became city clothing, and how to do it with cloth you actually want to touch.
Read MoreThe label tells you where a thing was assembled. It does not tell you who chose the mill. Josh Sirlin on the law behind the tag, and on choosing rooms instead of countries.
Read MoreMoths do not eat clean wool. They cannot. Josh Sirlin on what actually eats your sweaters, what cedar does and does not do, and how to put a wardrobe away properly.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
Read MoreA three quarter sleeve stops at the wrong place on a man's arm. Josh Sirlin on the sleeve length he designed instead, and why an inch decides everything.
Read MoreParis 1960, the South of France in the seventies, an album cover in 1980. Josh Sirlin on how women made the white t-shirt the most powerful thing in a wardrobe, and on the WOMAN Ultimate Soft Tee.
Read MoreIt was underwear, then it was a rowing uniform, then it was a shirt. Josh Sirlin on the Henley, the waffle knit, and why a garment dyed thermal is worth the extra step.
Read MoreThe sweatshirt began as a fix for an itchy football jersey in 1926. Josh Sirlin on terry, weight, that little V at the collar, and making one entirely in the United States.
Read MoreA sixteenth century Japanese idea about age, and why the day you buy something is not the best it will ever look. Josh Sirlin on wabi-sabi, patina, and designing for the fifth year.
Read MoreWomen had better pockets than men for two hundred years, and then fashion took them away. Josh Sirlin on tie on pockets, the Old Bailey, and cutting a pocket that works.
Read MoreButtons crossed the Atlantic as ship ballast. Josh Sirlin on corozo, shell, brass and zippers, and why hardware is where most clothing quietly fails.
Read MoreFor two hundred years pink meant money and power, and men wore it without thinking twice. Josh Sirlin on how a color changed sides, and on making a rose you cannot get anywhere else.
Read MoreGreen was the hardest color in the world to make, and then it was the deadliest. Josh Sirlin on arsenic, Victorian dye houses, and what a real green still costs.
Read MoreRise decides where your leg appears to start, and a tailor cannot fix it afterward. Josh Sirlin on the one measurement worth taking before you order anything.
Read MoreMost people put their jeans away in June. I do the opposite. The white core inside a rope dyed yarn, the old looms in Okayama, and what a hot road actually does to a pair of jeans.
Read MoreIt started as underwear and became the most worn garment on earth. Josh Sirlin on the plain white t-shirt, and how to tell a great one from a cheap one.
Read MoreBeing the least capable person in the room is the fastest education there is. Josh Sirlin on travel, curiosity, and getting humbled on purpose.
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