Six months, about a hundred steps, and a piece of the animal roughly the size of two shoes. Josh Sirlin on shell cordovan and the Black Bear Brand western wallet. Black Bear Brand very special shell cordovan boots.
Read MoreRoughout Horween horsehide with the raw side out, no lining, and vintage snaps. Josh Sirlin on the commander jacket, on roughout leather, and on the friends who have put real miles on theirs.
Read MoreSailors noticed that wet sails pulled better, and a cloth was born out of it. Josh Sirlin on the history of waxed cotton and the Black Bear Brand wax canvas jackets.
Read MoreThe quilted down jacket was made in Seattle in 1936, and the oldest one left is still in the city. Josh Sirlin on down, the Himeji leather yoke, and our goose down vest.
Read MoreJosh Sirlin wore one vintage peacoat for more than ten years, then made the one he actually wanted. A first look at the Hunter Green, a custom color worked out with the mill, releasing September 22.
Read MoreThe Aran sweater is younger than the legend around it, and the true story is better. Josh Sirlin on cables, ganseys, and the Black Bear Brand merino fisherman sweater.
Read MoreWool works wet, holds a shape for decades, and gets better looking as it goes. Josh Sirlin on the fall jacket, on tweed, and on the three that get woven for us each year in Scotland.
Read MoreCupro is made from the fuzz left on a cotton seed. Josh Sirlin on the quietest luxury in a coat and why ours is made in Japan.
Read MoreFive generations of tanners on the Chicago River, and a jacket cut in Seattle. Josh Sirlin on horsehide, the rough-out finish, and a very limited run of the westerns.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreA size medium takes four long curl sheepskins and one full day of one craftsman's hands. Josh Sirlin on shearling, on horsehide, and on the Northern Dream.
Read MoreSomebody named it in 2017 and the whole world went along with it. Josh Sirlin on how outdoor clothing became city clothing, and how to do it with cloth you actually want to touch.
Read MoreThe label tells you where a thing was assembled. It does not tell you who chose the mill. Josh Sirlin on the law behind the tag, and on choosing rooms instead of countries.
Read MoreMoths do not eat clean wool. They cannot. Josh Sirlin on what actually eats your sweaters, what cedar does and does not do, and how to put a wardrobe away properly.
Read MoreWool does not itch because it is wool. It itches because of a number. Josh Sirlin on micron counts, the prickle threshold, and why the coarser fibers are not the lesser ones.
Read MoreThe wild west was loud, and the cloth that went through all of it was blue. Josh Sirlin on the jean jacket, the Cowboy Jeans, the people he rides with, and the looms in Okayama.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
Read MoreIt was underwear, then it was a rowing uniform, then it was a shirt. Josh Sirlin on the Henley, the waffle knit, and why a garment dyed thermal is worth the extra step.
Read MoreWhiskers, honeycombs, atari, train tracks. Josh Sirlin on the vocabulary of a worn pair of jeans, and on the dye decisions made years before you ever put them on.
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