Indigo cloth, a wild curled collar, and two of the oldest materials in the wardrobe in one coat. Josh Sirlin on denim and sheepskin, long curl lambskin, and the botanical indigo denim winter coat.
Read MoreThe glen check came out of one Scottish valley in the 1840s and never left. Josh Sirlin on the pattern, and on the Midnight Glen Tartan Harris Tweed coming to Black Bear Brand.
Read MoreFour days of chain stitching, white cowhide sleeves, melton wool, and eight months of production. Josh Sirlin on the ART Edition varsity jacket, on display in Tokyo on October 2.
Read MoreThe loom is pedalled like a bicycle, in the weaver's own house, on an island in the North Atlantic. Josh Sirlin on what hand woven actually means on a Harris Tweed.
Read MoreA vintage coat worn for a decade, refined until there was nothing left to argue with. Josh Sirlin on the peacoat, on the custom hunter green, and on September 22.
Read MoreThree new Harris Tweeds are woven for Black Bear Brand in Scotland every year, and Josh Sirlin makes three jackets from them. Here are this fall's three, starting with the Midnight Glen Tartan.
Read MoreShuttle looms in Okayama, a family sewing room five generations deep, and an inseam that is long on purpose. Josh Sirlin on the Black Bear Brand jeans.
Read MoreOne thread, one needle, one hand turning a crank under the table. Josh Sirlin on the 1865 machine that still cannot be improved on, and on four days of stitching one jacket.
Read MoreColor that goes on after a sweatshirt is sewn behaves differently forever. Josh Sirlin on garment dyeing and the Black Bear Brand 30oz terry hoody, crew, pants and shorts.
Read MoreFlannel is a finish, and the word is Welsh. Josh Sirlin on how flannel is actually made and the Black Bear Brand flannels woven and sewn in Japan.
Read MoreSix months, about a hundred steps, and a piece of the animal roughly the size of two shoes. Josh Sirlin on shell cordovan and the Black Bear Brand western wallet. Black Bear Brand very special shell cordovan boots.
Read MoreRoughout Horween horsehide with the raw side out, no lining, and vintage snaps. Josh Sirlin on the commander jacket, on roughout leather, and on the friends who have put real miles on theirs.
Read MoreSailors noticed that wet sails pulled better, and a cloth was born out of it. Josh Sirlin on the history of waxed cotton and the Black Bear Brand wax canvas jackets.
Read MoreThe quilted down jacket was made in Seattle in 1936, and the oldest one left is still in the city. Josh Sirlin on down, the Himeji leather yoke, and our goose down vest.
Read MoreJosh Sirlin wore one vintage peacoat for more than ten years, then made the one he actually wanted. A first look at the Hunter Green, a custom color worked out with the mill, releasing September 22.
Read MoreThe Aran sweater is younger than the legend around it, and the true story is better. Josh Sirlin on cables, ganseys, and the Black Bear Brand merino fisherman sweater.
Read MoreWool works wet, holds a shape for decades, and gets better looking as it goes. Josh Sirlin on the fall jacket, on tweed, and on the three that get woven for us each year in Scotland.
Read MoreCupro is made from the fuzz left on a cotton seed. Josh Sirlin on the quietest luxury in a coat and why ours is made in Japan.
Read MoreFive generations of tanners on the Chicago River, and a jacket cut in Seattle. Josh Sirlin on horsehide, the rough-out finish, and a very limited run of the westerns.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
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