Put a man on a bike on screen and you do not need dialogue. You already understand him. Josh Sirlin rides a 1948 Panhead, and this one is personal.
Read MoreThe pocket bags in our WOMAN jeans are rose red and nobody will ever see them. Josh Sirlin on hidden details, the Edo merchants banned from looking rich, and why the best part of a garment is the part you keep to yourself.
Read MoreWestern wear is the most honest fashion America ever produced. It did not start on a runway, it started on the ranch. Josh Sirlin on cowboy style, past and present.
Read MoreBlue jeans did not become the most iconic garment on earth by accident. They earned it on the big screen. Josh Sirlin on denim, film, and the fade that turns your life into the movie.
Read MoreIt is not a brand you slap on a product. It is a Chicago tannery quietly setting the world standard since 1905. Josh Sirlin on Horween, and the leather he builds with.
Read MoreMost men get beach style wrong, all loud prints and flimsy fabric gone in a summer. Josh Sirlin on ease with real substance underneath.
Read MoreIt is not marketing. It is a way of thinking that treats a thing as never quite finished. Josh Sirlin on Okayama, Japanese craft, and why he builds his denim there.
Read MoreMasculine style is not a costume or a checklist of brands. It is character made visible. Josh Sirlin on quiet confidence, and the one jacket he points every man to.
Categories: Style, Menswear, Style & Heritage
Read MoreThe country that saved great denim has a way with it that women everywhere are borrowing. Josh Sirlin on women, denim, and Black Bear Brand WOMAN made in Okayama.
Read MoreA boyfriend jean is the easiest jean to look great in, and the easiest to look sloppy in. Josh Sirlin decodes the relaxed denim family and how to wear it right.
Read MoreEvery good idea I have ever had came from somewhere else. Josh Sirlin on how travel and other people’s cultures shape creative work, from Okayama to the Outer Hebrides.
Read MoreEveryone says Japan bought America’s old denim looms. Mostly, that is a myth. Josh Sirlin on the Union Special machines, the Toyoda looms, and why the craft really lives in Okayama.
Read MoreDragons and koi born from woodblock prints, applied by hand, one session at a time. Josh Sirlin on irezumi, the tebori craft, and getting tattooed in Tokyo.
Read MoreMost sweatshirts are ten ounces and gone in a year. Ours is thirty, made in the USA and cut and sewn in Seattle. Josh Sirlin on why weight matters.
Read MoreBorn on French farms, stolen by artists, and still the most useful jacket you can own. Josh Sirlin on the chore coat, and the Harris Tweed version he dreamed about for years.
Read MoreBlack Bear Brand is not a new label with an old look. It is a real Seattle company from the early 1900s, with a real factory and a real slogan, that Josh Sirlin spent a decade bringing back.
Read MoreCheap clothes are the most expensive clothes you will ever buy. Josh Sirlin on building a wardrobe of fewer, better pieces that age into the best things you own.
Read MoreJosh Sirlin rides a 1948 Panhead that has outlived almost everything built since. Here is what a 76-year-old chopper taught him about designing clothes worth keeping.
Read MoreOne brand, two homes, and a bolt of Scottish wool in between. Josh Sirlin on why Black Bear Brand is designed in Seattle and built in Okayama.
Read MoreThe self-edge is a mark of how denim was woven. Sanforized means it fits true and stays there. Josh Sirlin on selvedge, the beauty of fit, and the story a great pair of jeans tells over the years.
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