Somebody named it in 2017 and the whole world went along with it. Josh Sirlin on how outdoor clothing became city clothing, and how to do it with cloth you actually want to touch.
Read MoreThe label tells you where a thing was assembled. It does not tell you who chose the mill. Josh Sirlin on the law behind the tag, and on choosing rooms instead of countries.
Read MoreMoths do not eat clean wool. They cannot. Josh Sirlin on what actually eats your sweaters, what cedar does and does not do, and how to put a wardrobe away properly.
Read MoreWool does not itch because it is wool. It itches because of a number. Josh Sirlin on micron counts, the prickle threshold, and why the coarser fibers are not the lesser ones.
Read MoreThe wild west was loud, and the cloth that went through all of it was blue. Josh Sirlin on the jean jacket, the Cowboy Jeans, the people he rides with, and the looms in Okayama.
Read MoreAn Olympic skater asked for a pant he could actually skate in. Josh Sirlin on the 90s west coast cut, the design that came out of it, and what happens when a skate pant is made from cloth this good.
Read MoreA three quarter sleeve stops at the wrong place on a man's arm. Josh Sirlin on the sleeve length he designed instead, and why an inch decides everything.
Read MoreThe chest pocket was not part of the original t-shirt, and the reason it arrived is better than you would guess. Josh Sirlin on the pocket tee, and on the one we make.
Read MoreParis 1960, the South of France in the seventies, an album cover in 1980. Josh Sirlin on how women made the white t-shirt the most powerful thing in a wardrobe, and on the WOMAN Ultimate Soft Tee.
Read MoreIt cost 24 cents in the Sears catalog and it took two films to make it famous. Josh Sirlin on how a plain white tee went from the bottom of a sea bag to the top of the world.
Read MoreIt was underwear, then it was a rowing uniform, then it was a shirt. Josh Sirlin on the Henley, the waffle knit, and why a garment dyed thermal is worth the extra step.
Read MoreWhiskers, honeycombs, atari, train tracks. Josh Sirlin on the vocabulary of a worn pair of jeans, and on the dye decisions made years before you ever put them on.
Read MoreThere is one morning every August when the air turns. Josh Sirlin on the jean jacket coming off the hook, the white tee under it, and the tweed waiting after October.
Read MoreThe sweatshirt began as a fix for an itchy football jersey in 1926. Josh Sirlin on terry, weight, that little V at the collar, and making one entirely in the United States.
Read MoreA sixteenth century Japanese idea about age, and why the day you buy something is not the best it will ever look. Josh Sirlin on wabi-sabi, patina, and designing for the fifth year.
Read MoreWomen had better pockets than men for two hundred years, and then fashion took them away. Josh Sirlin on tie on pockets, the Old Bailey, and cutting a pocket that works.
Read MoreButtons crossed the Atlantic as ship ballast. Josh Sirlin on corozo, shell, brass and zippers, and why hardware is where most clothing quietly fails.
Read MoreFor two hundred years pink meant money and power, and men wore it without thinking twice. Josh Sirlin on how a color changed sides, and on making a rose you cannot get anywhere else.
Read MoreWeight is the number everyone quotes and almost nobody understands. Josh Sirlin on ounces, grams, and what a fabric weight can and cannot tell you.
Read MoreGreen was the hardest color in the world to make, and then it was the deadliest. Josh Sirlin on arsenic, Victorian dye houses, and what a real green still costs.
Read More