Flannel is a finish, and the word is Welsh. Josh Sirlin on how flannel is actually made and the Black Bear Brand flannels woven and sewn in Japan.
Read MoreSix months, about a hundred steps, and a piece of the animal roughly the size of two shoes. Josh Sirlin on shell cordovan and the Black Bear Brand western wallet. Black Bear Brand very special shell cordovan boots.
Read MoreRoughout Horween horsehide with the raw side out, no lining, and vintage snaps. Josh Sirlin on the commander jacket, on roughout leather, and on the friends who have put real miles on theirs.
Read MoreSailors noticed that wet sails pulled better, and a cloth was born out of it. Josh Sirlin on the history of waxed cotton and the Black Bear Brand wax canvas jackets.
Read MoreThe quilted down jacket was made in Seattle in 1936, and the oldest one left is still in the city. Josh Sirlin on down, the Himeji leather yoke, and our goose down vest.
Read MoreJosh Sirlin wore one vintage peacoat for more than ten years, then made the one he actually wanted. A first look at the Hunter Green, a custom color worked out with the mill, releasing September 22.
Read MoreThe Aran sweater is younger than the legend around it, and the true story is better. Josh Sirlin on cables, ganseys, and the Black Bear Brand merino fisherman sweater.
Read MoreWool works wet, holds a shape for decades, and gets better looking as it goes. Josh Sirlin on the fall jacket, on tweed, and on the three that get woven for us each year in Scotland.
Read MoreThe first Black Bear Brand pop-up in Japan opens in Ebisu on the second, third and fourth of October. Josh Sirlin on Tokyo, the collection, and the pieces coming with it.
Read MoreCupro is made from the fuzz left on a cotton seed. Josh Sirlin on the quietest luxury in a coat and why ours is made in Japan.
Read MoreA hundred year old stripe, read off an original coverall and woven again in Okayama. Josh Sirlin on the Black Bear Brand engineer stripe and the vintage engineer pant and coat.
Read MoreFive generations of tanners on the Chicago River, and a jacket cut in Seattle. Josh Sirlin on horsehide, the rough-out finish, and a very limited run of the westerns.
Read MoreLess rain than New York, spread over twice as many days. Josh Sirlin on what Seattle weather does to a wardrobe, and why our coats are made here.
Read MoreA one time run of the leather jackets, Josh Sirlin’s own favorites, already made and going up Friday at nine. These are preorder only, and the windows open three or four times a year.
Read MoreA plain Harris Tweed is never one color. Josh Sirlin on fibre dyeing, blending to a recipe, and why the cloth changes as the light moves.
Read MoreThe warmest cloth in the closet is named for an English market town. Josh Sirlin on fulling, napping, shearing, and why melton stops wind.
Read MoreA Dutch word, a naval cut, and wool milled until the wind gives up. Josh Sirlin on where the peacoat comes from and how ours is made in Japan.
Read MoreYoke, placket, gauntlet, gusset, interlining. Josh Sirlin on the vocabulary of a shirt, and on which of those parts actually tell you what you are holding.
Read MoreFall arrives, the tweed comes off the hook, and the peacoat returns with a new green. Josh Sirlin on cloth woven by hand in Scotland, coats made in Seattle, and wool woven in Japan.
Read MoreA size medium takes four long curl sheepskins and one full day of one craftsman's hands. Josh Sirlin on shearling, on horsehide, and on the Northern Dream.
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